make up your mind make up the bed
test your faith
outside and out loud
smile and drive and
have a nice day fool
outbound crime
how loud you think
i feel
like feeling
i feel ridiculous knowing that this is lies and
it comes off so nice
and readable and
oh my god so profound
the spaces mean so much i love poetry
but this is not
the pain hurts and ekes on veins and cables and subways and pigeons—
have you seen yourself hate and pain is not a verb but i can make it
i can pain
i can language because it verbs
i'm a fly on the wall
fly on the wall
fly on the wall
I have decided that I am, in fact, the representative of a new movement in art. This new movement began two and a half minutes ago when I was in the washroom stretching my penis from the tip of the foreskin up and away from my body so I could get the skin of my shaft and testicles taut enough that I could comfortably and deliciously scratch for as long as it was before the new movement took hold of my attentions. It will last as long as I live, and it will be unparalleled everywhere and for all time. No one who does not understand it will appreciate it, and anyone who appreciates it will be deemed insane or ignorant. I am the pinnacle of human artistic achievement. Art is the challenge of aesthetic paradigms and my movement defines itself by its continuous challenge to itself, ergo, my movement encompasses all of art, from four or five minutes ago to eternity, and is self-perpetuating. Therefore my movement is art. Forever. Therefore I declare myself the winner. Of art. I win art.
Friday, November 12, 2010
la fuente
de donde nazco
anonimato
me manifiesto
soy
establezco
tu madera y el asentado de tu colchon
ves al norte y te levantas
fantasma de mi vida
carne
y volumen
te abrazo y te acaricio
te adoro porque eres
y como te vi soy
cadencia de tus pasos
tu voz de voz y manos de manos
la ciudad habla
su cadencia en pasos
el lenguaje antepasado
y lo que digo lo digo
de donde nazco
anonimato
me manifiesto
soy
establezco
tu madera y el asentado de tu colchon
ves al norte y te levantas
fantasma de mi vida
carne
y volumen
te abrazo y te acaricio
te adoro porque eres
y como te vi soy
cadencia de tus pasos
tu voz de voz y manos de manos
la ciudad habla
su cadencia en pasos
el lenguaje antepasado
y lo que digo lo digo
by the end of this poem
i'll have forgotten
the audience is so much more interesting
even if i hate them
just a little
i'll have forgotten
the audience is so much more interesting
even if i hate them
just a little
to live
on a vein to travel
invisible pump
you plug in yours
crack the purple haze
blue pills that shine
invisible dump
light the light
on a vein to travel
invisible pump
you plug in yours
crack the purple haze
blue pills that shine
invisible dump
light the light
confession
not used to
they're expecting
how can i
but
so anticlimactic
this is not how it should happen
not used to
they're expecting
how can i
but
so anticlimactic
this is not how it should happen
sit and think
that's all i want to do
and be
the accumulation of all past time
dragging with it the universe
that's all i want to do
and be
the accumulation of all past time
dragging with it the universe
limber up and let loose
meaningless pretty sounds
of itty petty fingertips
whirblings and whorlblings
a sound system
and ambient moods
you trample me upon the trip across fields of letters
tie my feet together and muck the grass on which i hop
you make me want to hurt you and you make me hurt myself
meaningless pretty sounds
of itty petty fingertips
whirblings and whorlblings
a sound system
and ambient moods
you trample me upon the trip across fields of letters
tie my feet together and muck the grass on which i hop
you make me want to hurt you and you make me hurt myself
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